#Review kumbalangi nights movie#
#Review kumbalangi nights portable#

Kumbalangi Nights is exactly that kind of movie a movie that challenges status quo, opens minds, and erases lines on the sand.Kumbalangi Nights is primarily about three young men and their school-going brother living a pathetic life in an incomplete hut in a small island near Kumbalangi. In an intense climax scene, Fahadh chides Babymol for her progressive thoughts and blames cinema for influencing the mindset that challenges patriarchy. The production design and vibrant neon-themed visuals, shot by Shyju Khalid and edited by Saiju Sreedharan, lend a warm familiar feeling to Kumbalangi and its characters. Providing context by imbibing local culture and dialects into his scripts has added a new dimension to his storytelling.

Shyam PushkaranвЂ™s script, excellent dialogues, and narration are central as it has been in the recent past with movies he has been involved with.

Bobby (Shane) in particular is constantly found questioning his worth, but it is BabymolвЂ™s persistent love that serves as his anchor in what could have otherwise been a turbulent life. It is the women in Kumbalangi Nights that offer hope and purpose to the lives of these men. One poignant moment is when Soubin cries his heart out to a psychologist following a personal tragedy. When Soubin approaches Shammi, who has established himself as the patriarch, to discuss BabymolвЂ™s marriage to Bobby, Fahadh reminds Soubin of his familyвЂ™s place in the lower strata of society and that Bobby does not have a job or a house. Despite repeatedly being told it was something personal, Fahadh continues to question them, all with a smile on his face. One fine example is a kitchen scene where Fahadh hangs by the door and questions his wife, played by Grace Anthony, and BabymolВ on what they were talking about. FahadhвЂ™s unique take on ShammiВ guilts us into laughing at his toxic masculinity while also making us conscious of the uneasiness in every scene he pervades. The obstacle to Babymol and BobbyвЂ™s love life comes in the form of Shammi (Fahadh Faasil), her brother-in-law who stays with her family. вЂCherathukalвЂ™ in particular, grows on you with time. His soundtrack doesnвЂ™t call attention to itself and provides a perfect landscape for the movie. Sushin ShyamвЂ™s score complements the movie brilliantly, especially the bits centered around FahadhвЂ™s character and when Soubin is torn with grief. The blossoming love affair between Babymol and Bobby warms your heart. Anna Ben, the find of the movie, is delightful as Babymol, a strong-willed woman who looks to chart her own course in both love and life. Shane is averse to working and his friend advises Babymol, who needs Shane to engage tourists at her homestay, that the proposition must be put forward as a favour as opposed to вЂworkвЂ™.

#Review kumbalangi nights portable#

His opening frames show him playing вЂHappyвЂ™ on his portable speaker as he serves himself rice and fish, their staple food. Bobby (Shane Nigam) is a happy-go-lucky man who loves his music (his portable speaker travels with him). Saji (Soubin) and Bobby (Shane Nigam) are both loafers, who live in their own worlds and are unwilling to earn an honest penny. The hamlet is used as a dumping ground for stray dogs and cats, serving as a metaphor for their place in society. Mathew considers his home to be in squalor, calling it the worst house in the Panchayat. It is the story of outcasts who find their worth and place in life through love.ДЇootball-crazy Frankie (Mathew Thomas) is ashamed to invite his school friends to his home, set on a fishing hamlet, where his brothers Soubin and Shane are constantly at odds with each other. Shammi though isnвЂ™t the hero of the film Kumbalangi Nights is the story of brothers Saji (Soubin Shahir), Bobby (Shane Nigam), Bony (Sreenath Bhasi) and Frankie (Mathew Thomas).

This beautiful introduction that distills a characterвЂ™s essence so succinctly underscores the mastery with which director Madhu C Narayanan handles Kumbalangi nights. вЂњRaymond, a complete man,вЂќ he mutters to himself. His admiration for himself knows no bounds. Fahadh Faasil smiles into the mirror his jawline is clean-shaven but he has a thick, bushy moustache.